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LA CASA, IntimacyProject
LA CASA (Intimacy Project | 2005 | 07' 54")
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LA AZOTEA, IntimacyProject
Setiap Apartemen memiliki kamar gudang dan ruang untuk mencuci bagi ...
Setiap Apartemen memiliki kamar gudang dan ruang untuk mencuci bagi penghuninya, kadang tempat itu dijadikan ruang untuk bekerja, tinggal, ataupun mengejar impian
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Cacaro - Intimacy Project
Keceriaan Diego dan Frida, dua orang anak yang bertemu di ...
Keceriaan Diego dan Frida, dua orang anak yang bertemu di sebuah teater. Mereka bertemu untuk pertama kali, sambil bermain mereka bercerita tentang keceriaan mereka berdua
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Anak Setan by Ari Dina Krestiawan
Bermain dengan boneka setan
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Ibu dan Anak, Ari Dina Krestiawan
Hubungan antara Ibu dan anak, ketika sang anak meminta ibunya ...
Hubungan antara Ibu dan anak, ketika sang anak meminta ibunya untuk mengerjakan pekerjaan rumahnya, sementara sang anak tidak mempercayai hasil karya ibunya.
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Horor Satu Menit by Otty Widasari
Satu menit tentang horor.
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MEXICO CITY
In 2005, Ari Dina Krestiawan from Indonesia conducted a documentary ...
In 2005, Ari Dina Krestiawan from Indonesia conducted a documentary workshop in Mexico City.
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Urban Interior
Urban Interior #1 is part of a video installation by ...
Urban Interior #1 is part of a video installation by Hafiz Rancajale that talks about private spaces in urban communities.
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Anak Sabiran, Di Balik Cahaya Gemerlapan
BEHIND THE FLICKERING LIGHT (THE ARCHIVE) : a tribute to ...
BEHIND THE FLICKERING LIGHT (THE ARCHIVE) : a tribute to Indonesian legend Haji Misbach Yusa Biran.
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RUMAH. House (Otty Widasari | 2007 | 7' 29" | English Subtitle)
A cosy courtyard. The camera looks in from two sides. ...
A cosy courtyard. The camera looks in from two sides. The image is split to avoid missing anything. But nothing special happens. That's the nice thing about home. A spatial experiment in two dimensions. Pressed by situation for the reason unknown, in misfits, we as Jakarta suburban populace needs to interact, together keeping the rhythms that never were the same, walking together in an out-beat tempo. But we're in nowhere, we're here.