Public Lectures and Events
Audio and Video recordings from LSE's programme of public lectures and events
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Literary Festival 2015: Is There Life in the Novel of Ideas? [Audio]
Speaker(s): Professor Peter Boxall, Jennie Erdal, Andrew O’Hagan | Is ...
Speaker(s): Professor Peter Boxall, Jennie Erdal, Andrew O’Hagan | Is the 'novel of ideas' an outdated genre or are we witnessing its resurgence? What answers can it offer to twenty-first-century questions? In this panel three speakers will discuss examples of the 'novel of ideas' and assess the genre's contemporary relevance. Peter Boxall is Professor of English and Deputy Head of the School of English at the University of Sussex. His research has focused on the relationship between aesthetics and politics in modernist and contemporary writing, and more recently on the longer history of the novel. He has written books on Samuel Beckett and Don DeLillo, and a wide ranging book on the contemporary novel, entitled Twenty-First-Century Fiction. He is currently writing a book entitled The Value of the Novel, for Cambridge University Press (due out in 2015), and in the early stages of a new project on the history of the novel, entitled The Prosthetic Imagination: A History of the Novel as Artificial Life. Jennie Erdal worked in literary publishing for many years as an editor and translator. At Quartet Books she managed the Russian list, and in the mid-eighties she started Quartet Encounters, an imprint that focused on literature in translation. For much of this time she was also the ghostwriter of a London publisher, who figured prominently in her subsequent memoir, Ghosting: A Double Life which became an international bestseller. In 2012 she published The Missing Shade of Blue, which was longlisted for the 2013 Commonwealth Book Prize. Jennie Erdal has appeared in Granta magazine and is a regular contributor of features and reviews for the arts pages of the Financial Times and other publications. She currently teaches creative writing at the University of Dundee. Andrew O’Hagan is one of his generation’s most exciting and most serious chroniclers of contemporary Britain. He has twice been nominated for the Man Booker Prize. His books include The Missing, The Atlantic Ocean, Our Fathers, Personality, Be Near Me and The Life and Opinions of Maf the Dog. He was voted one of Granta’s Best of Young British Novelists in 2003. He has won the Los Angeles Times Book Award and the E.M. Forster Award from the American Academy of Arts & Letters. He is Editor at Large of the London Review of Books. His new novel The Illuminations will be published in February 2015. Michael Caines (@michaelscaines) is an editor at the Times Literary Supplement. The Forum for European Philosophy (@LSEPhilosophy) is an educational charity which organises and runs a full and varied programme of philosophy and interdisciplinary events in the UK.
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Literary Festival 2015: Rebellion and Foundation: Southeast Asia, the UK and 50 years of development [Audio]
Speaker(s): Ahmad Zakii Anwar, Nickson Fong, Yang-May Ooi | This ...
Speaker(s): Ahmad Zakii Anwar, Nickson Fong, Yang-May Ooi | This year the Association of South East Asian Nations (ASEAN) becomes an integrated economic community. The year caps five decades of foundation and development since the region's formal independence from the West. What are the creative voices contending for the soul of a region where freedom, economic prosperity, civil society, and political maturity continue to evolve in unexpected ways? What forces of rebellion drive the soul of the individual in those societies where economic success - arguably the greatest found in newly-independent states in all human history - has raced ahead of other dimensions of development in the human spirit? What forces drive that spiritual and artistic development in the region more generally? How do these diverge from those along the Trans-Atlantic Axis? What is the culture that sits comfortably with Southeast Asia's place in the global economy? Ahmad Zakii Anwar is a well-known Malaysian ‘urban realist’ artist. His preoccupation with the spiritual or metaphysical aspects of urban life have marked his fine art practice. Nickson Fong is a Producer/Director and the CEO and Founder of Egg Story Studios. He won the Academy Award for Scientific and Technical Achievement 2013. Yang-May Ooi (@StoryGuru_UK) is an award-winning TEDx speaker, bestselling author and story performer. Her work uses the power of personal narrative to help creatives and others develop authentic confidence and become collaborative leaders. Felicia Yap is an Associate of the Saw Swee Hock Southeast Asia Centre and an affiliate of the Centre of South Asian Studies in Cambridge. Established in 2014, the Saw Swee Hock Southeast Asia Centre (@LSESEAC) is an inter-disciplinary, regionally-focused academic centre within the Institute of Global Affairs (IGA) at LSE. Building on the School's deep academic and historical connections with Southeast Asia, the Centre serves as a hub at LSE for public debate and engagement, and research dissemination on issues relevant to the region. This event is co-organised with Her Excellency Chi Hsia Foo, Jin Craven, Cui Yin Mok and Shzr Ee Tan. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: Communicating Chronic Pain [Audio]
Speaker(s): Dr Yasmin Gunaratnam, Dr Deborah Padfield, Jude Rosen | ...
Speaker(s): Dr Yasmin Gunaratnam, Dr Deborah Padfield, Jude Rosen | Pain is notoriously hard to communicate to others. Scholars have debated the relationship between pain and language: does pain require a shared language and common understanding to be explicable, or does hearing about the pain of others always entail doubt? What kinds of communication best enable us to express and hear about pain? On what foundations can we build understanding? This session will explore the capacities of stories, poems and photographs as forms of pain communication, and the possible relations between them. Yasmin Gunaratnam is Senior Lecturer in the Sociology Department at Goldsmiths College, University of London. She has a specialist interest in narrative and stories and writes short stories and poems and her recent research includes a British Academy Fellowship on the palliative care philosophy of ‘total pain’. Yasmin’s latest book Death and the Migrant brings together her interest in stories with her sociological research on transnational dying and intercultural care. Her co-edited collection Narrative and Stories in Care was shortlisted and ‘highly commended’ in the British Medical Association Book Awards 2010. Deborah Padfield is a visual artist specialising in lens based media and inter-disciplinary practice and research within Fine Art and Medicine. She is currently Research Associate at the Slade School of Fine Art, UCL and Artist in Residence at the Eastman Dental Hospital. She has collaborated extensively with clinicians and patients exploring the value of visual images to clinician-patient interactions and the communication of pain. In 2001 her work with Dr Charles Pither and staff and patients from INPUT Pain Management Unit, St Thomas’ Hospital, led to a touring exhibition, pilot study and book, Perceptions of Pain. Her collaboration with Professor Joanna Zakrzewska and facial pain clinicians and patients from UCLH led to several exhibitions, symposia and the current UCL CHIRP funded project Pain: speaking the threshold. She has exhibited widely including the National Portrait Gallery, the Wellcome Trust and the Science Museum. She is the winner of several awards including the Sciart Research Award and British Pain Society Artist of the Year 2012. Jude Rosen is a poet, translator and independent researcher in urban culture, policy, planning and citizenship and former university lecturer in politics at UCL until ill-health retirement. Her book of poems, A Small Gateway, was published by Hearing Eye in 2009, addressing the scars of history and displacement in shaping personal and collective identity, memory and art. The poem Crohn Heroine formed the backdrop to the hospital video produced by Richard Crow for desperate optimists and was later used in the Communicating Chronic Pain workshop on sound. In her current work she has been experimenting with a walking and narrative-based poetic practice writing from field notes and observation of resonant places and routes, gathering oral histories and scoring the voices of former workers, displaced people and inhabitants of the marshes and Olympic borderlands of East London as an act of retrieval, reclaiming the space, its peoples and history. Elena Gonzalez-Polledo is Course Tutor in the Department of Methodology. Together with colleagues, she recently completed the ESRC-NCRM funded project Communicating Chronic Pain, which explored the use of arts-based and non-verbal methods for communicating about pain. The Department of Methodology (@MethodologyLSE) provides courses for PhD and MSc students and LSE staff in the design of social research and in qualitative and quantitative analysis, and hosts degree programmes for MSc Social Research Methods and MPhil/PhD in Social Research Methods. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: Rerum Cognoscere Causas: understanding our classical foundations [Audio]
Speaker(s): Professor Barbara Graziosi, Edith Hall, Tom Holland, Sir Peter ...
Speaker(s): Professor Barbara Graziosi, Edith Hall, Tom Holland, Sir Peter Stothard | This panel explores the Classical wellsprings of Western literature, reflecting on the continuing value and relevance of the Greco-Roman Classics today. Barbara Graziosi (@BarbaraGraziosi) is Professor of Classics and Director for Arts and Humanities at the Institute of Advanced Studies at Durham University. She has published widely on the culture of the ancient world including Inventing Homer, After Homer: The Resonance of Epic and The Gods of Olympus: A History. Edith Hall (@edithmayhall) is Professor of Classics at King's College London and Co-Founder and Consultant Director of the Archive of Performances of Greek & Roman Drama at Oxford. Her achievements in research have recently won her the Erasmus Medal of the European Academy, the Goodwin Award of Merit from the American Classical Society, and a Humboldt Research Prize. She has supervised more than thirty PhD students and published more than twenty books; the most recent is Introducing the Ancient Greeks: from Bronze Age Seafarers to Navigators of the Western Mind. Tom Holland (@holland_tom) is the award winning and bestselling author of Rubicon, Persian Fire and the highly acclaimed Millennium. His most recent work, is In the Shadow of the Sword -The Battle for Global Empire and the end of the Ancient World. He appears regularly on radio, television and in print. He has adapted Homer, Herodotus, Thucydides and Virgil for BBC Radio, and Herodotus for Penguin Classics. He is working on a companion book to Rubicon - Dynasty - to be published in September 2015. Peter Stothard is Editor of the Times Literary Supplement and author of three volumes of diaries, Thirty Days, On the Spartacus Road and Alexandria, which won the 2014 Criticos Prize for literature on a theme from ancient Greece. He was Editor of The Times (1992-2002), Chairman of the Man Booker Prize judges (2012) and President of the Classical Association (2012). Llewelyn Morgan (@llewelyn_morgan) is a Classicist and Fellow of Brasenose College, Oxford. His books include Musa Pedestris and The Buddhas of Bamiyan. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: Digital Personhood and Identity [Audio]
Speaker(s): Luke Dormehl, Aleks Krotoski, Professor Sonia Livingstone, Professor Andrew ...
Speaker(s): Luke Dormehl, Aleks Krotoski, Professor Sonia Livingstone, Professor Andrew Murray | What are the foundations of our identity in the digital age? As digital devices make and manage more and more decisions about our everyday lives how can we retain our sense of self? The panellists discuss how algorithms and intelligent devices are altering our sense of personhood and the ways in which we see ourselves and others. Luke Dormehl (@lukedormehl) is a technology author and journalist, with a background in documentary film. He regularly contributes to Fast Company - where he covers high-tech and the digital humanities -- and also writes for the popular Apple blog, Cult of Mac. His previous books include The Apple Revolution, which explored the links between Apple and the hippie counterculture of the 1960s/70s. His latest book is The Formula: how algorithms solve all our problems..and create more. Aleks Krotoski (@aleksk) is an academic and journalist who writes about and studies technology and interactivity. Her latest book, Untangling the Web: What the Internet is Doing to You looks at the psychology research behind the claims about the positive and negative forces of the digital age. Aleks presents BBC Radio 4’s award-winning science series The Digital Human. She has been hosting The Guardian’s Tech Weekly podcast since its inception, in 2007. Sonia Livingstone (@Livingstone_S) is a Professor in the Department of Media and Communications at LSE and author of Digital Technologies in the Lives of Young People. She directs the 33-country network, EU Kids Online, funded by the EC's Safer Internet Programme. She is now beginning a project, Preparing for a digital future, which follows on the recently-completed project, The Class, both part of the MacArthur Foundation-funded Connected Learning Research Network. Andrew Murray (@AndrewDMurray) is Professor in Law at LSE and a fellow of the Royal Society for the Encouragement of Arts, Manufactures and Commerce (FRSA). He joined the LSE Law Department in September 2000. Andrew’s principal research interests are in regulatory design within Cyberspace, particularly the role of non-State actors, the protection and promotion of Human Rights within the digital environment and the promotion of proprietary interests in the digital sphere, encompassing both intellectual property rights and traditional property models. Sierra Williams (@sn_will) is Managing Editor of the LSE Impact blog (@LSEImpactBlog) an online platform for the wider scholarly community to discuss and debate the future of scholarship and the digital innovations shaping the role of research in society. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: Why Remember? [Audio]
Speaker(s): Lisa Appignanesi, Darian Leader, Owen Sheers | This panel ...
Speaker(s): Lisa Appignanesi, Darian Leader, Owen Sheers | This panel explores our relationship with our sometimes traumatic past, and asks why we should remember and what happens when we can’t remember. The discussion considers the importance of place and landscape in memory, as well as the nature of collective memory and memorialisation, particularly in the context of war. Lisa Appignanesi (@LisaAppignanesi) is a writer, novelist and broadcaster. She is the former Chair of the Freud Museum London, the former President of English PEN and former Deputy Director of London’s Institute of Contemporary Arts. Her non-fiction includes Mad, Bad and Sad: A History of Women and the Mind Doctors (which won the BMA Award for the Public Understanding of Science amongst other prizes), the acclaimed family memoir Losing the Dead, the classic study Freud’s Women (with John Forrester) and Simone de Beauvoir, and most recently Trials of Passion: Crimes in the Name of Love and Madness. Her novels include Paris Requiem, The Memory Man and The Dead of Winter. Lisa Appignanesi was awarded the OBE in 2013. Darian Leader is a psychoanalyst working in London and a founder member of the Centre for Freudian Analysis and Research. He is President of the College of Psychoanalysts-UK and Visiting Professor at the School of Human and Life Sciences, Roehampton University. He is the author of several books including: Introducing Lacan, Why do women write more letters than they post?; Freud's Footnotes; Stealing the Mona Lisa: What Art Stops Us From Seeing, Why do people get ill?' (with David Corfield), The New Black: Mourning, Melancholia and Depression and What is Madness? His most recent book, Strictly Bipolar was published by Hamish Hamilton in 2013. Owen Sheers (@owensheers) has written two collections of poetry, The Blue Book and Skirrid Hill, which won a Somerset Maugham award. His verse drama Pink Mist won Wales Book of the Year and the Hay Festival Poetry Medal. His non-fiction includes The Dust Diaries and Calon: A Journey to the Heart of Welsh Rugby. His first novel Resistance has been translated into ten languages and was made into a film in 2011. His plays include The Passion, The Two Worlds of Charlie F. and Mametz. Owen wrote and presented BBC Four's A Poet's Guide to Britain. He has been a NYPL Cullman Fellow, Writer in Residence for the Wordsworth Trust and Artist in Residence for the Welsh Rugby Union. His second novel I Saw A Man will be published by Faber in 2015. Sandra Jovchelovitch is a Professor in the Department of Social Psychology at LSE. The Department of Social Psychology (@PsychologyLSE) is a leading international centre dedicated to consolidating and expanding the contribution of social psychology to the understanding and knowledge of key social, economic, political and cultural issues. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: The Human Age? Art and Identity in the Anthropocene [Audio]
Speaker(s): Dr Matthew Griffiths, Gaia Vince, Dr Kathryn Yusoff | ...
Speaker(s): Dr Matthew Griffiths, Gaia Vince, Dr Kathryn Yusoff | The controversial designation “Anthropocene” names a geological epoch in which the planet has been irrevocably changed by human activity. In this panel, three thinkers consider the ways in which the Anthropocene requires us to reconsider both human self-identity and the human capacity for creation and destruction. Is art a narcissistic reflection of human concerns and desires or might it provide a model for dynamic and interactive responses to the global challenges which we face? Matthew Griffiths has recently completed a PhD at Durham University on the poetics of climate change. He has published articles on T. S. Eliot, Wallace Stevens and Basil Bunting, as well as a pamphlet of his own poetry, How to be Late, and a science fiction novel, The Weather on Versimmon. He presently works on a built environment trade journal. Gaia Vince (@WanderingGaia) is the author of Adventures in the Anthropocene. She is a journalist and broadcaster specialising in science and the environment. She has been the front editor of the journal Nature Climate Change, the news editor of Nature and online editor of New Scientist. She has a regular column, Smart Planet, on BBC Online, and devises and presents programmes about the Anthropocene for BBC radio. She blogs at WanderingGaia.com. Kathryn Yusoff is a Senior Lecturer in Human Geography at Queen Mary, University of London. Her current research addresses questions of ‘Geologic Life’ within the proposed geologic epoch of the Anthropocene. Danielle Sands is a Fellow at the Forum for European Philosophy. The Forum for European Philosophy (@LSEPhilosophy ) is an educational charity which organises and runs a full and varied programme of philosophy and interdisciplinary events in the UK. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: Why Do You Write? And Can Knowing That Even Help? With Jonathan Gibbs [Audio]
Speaker(s): Jonathan Gibbs | In this creative writing workshop we ...
Speaker(s): Jonathan Gibbs | In this creative writing workshop we will be looking at the impulse to write, when they are so many reasons and excuses not to, in the hope that exposing the foundations of the creative act can inform the writer's practice in the here and now. But though in part we'll be looking at our personal histories of writing, the exercises will be geared towards producing new work, with a deeper understanding of what our goals actually are. Jonathan Gibbs's novel, Randall, or The Painted Grape, about the London art world and the Young British Artists, is published by Galley Beggar Press. His short fiction has been published in Lighthouse, The Best British Short Stories 2014 and The South Circular and by The White Review (where his story The Story I'm Thinking Of was shortlisted for the 2013 White Review Prize). He studied Creative Writing at the University of East Anglia, where he was awarded a Malcolm Bradbury memorial bursary, and has written on books for the Independent, the Daily Telegraph, the TLS and elsewhere. He writes the Independent's weekly Friday Book Design Blog and tweets at @Tiny_Camels. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: Music and Poetry: common foundations [Audio]
Speaker(s): Professor Ian Bostridge, Dr Armand D’Angour, Professor Fiona Sampson ...
Speaker(s): Professor Ian Bostridge, Dr Armand D’Angour, Professor Fiona Sampson | This discussion explores the links between music and poetry and how much each art form contributes to the other, as well as what common features these art forms share. Common foundations include public performance and private listening, abstract patterns, rhythm, register, tone, breathing and the emergence of tight form from apparently limitless possibility. But music and poetry are partially distinct in the imaginative light they shine, and the panel also discuss how successfully the two art forms complement one another in some of the greatest unions of music and poetry from Homer’s Iliad to Schubert’s Lieder and Britten’s War Requiem. Ian Bostridge (@Ianbostridge) is a tenor and Humanitas Professor of Classical Music at the University of Oxford. Ian’s international recital career has won wide acclaim for his performances as an opera and lieder singer. He is author of A Singer’s Notebook and Schubert’s Winter Journey: Anatomy of an Obsession.Armand D’Angour (@ArmandDAngour) is a Fellow in Classical Literature at Jesus College, Oxford. Initially trained as a cellist before taking a PhD in Classics, Armand is currently working on a project to bring to life the sounds and effects of ancient Greek music. He is author of The Greeks and the New. Fiona Sampson is a poet and Professor of Poetry at Roehampton. Initially trained as a concert violinist, Fiona has published some 25 books of poetry, criticism and philosophy of language. Her most recent volume of poetry is Coleshill and she is author of Music Lessons and the forthcoming Lyric Cousins: Poetry and Musical Form. Richard Bronk is a Visiting Fellow in the European Institute, LSE and author of The Romantic Economist. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
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Literary Festival 2015: A Magna Carta for Humanity: homing in on human rights [Audio]
Speaker(s): Professor Francesca Klug | The Magna Carta, sealed in ...
Speaker(s): Professor Francesca Klug | The Magna Carta, sealed in 1215, has come to stand for the rule of law, curbs on executive power and the freedom to enjoy basic liberties. When the Universal Declaration of Human Rights was adopted by the United Nations in 1948, it was heralded as 'a Magna Carta for all human kind'. How has the Magna Carta, initially considered a failure, achieved such iconic status? And can how those who proudly commemorate its 800th year simultaneously pledge to repeal the more modern laws which seek to protect our fundamental rights and freedoms? In A Magna Carta for Humanity: homing in on human rights, published by Routledge to coincide with the 800th anniversary of the Magna Carta in June 2015, Francesca Klug will argue that the reasons given for opposing the UKs Human Rights Act are very similar to the reasons that the Magna Carta has stayed relevant for eight centuries. Features that are lauded as ‘totemic’ when applied to the Magna Carta are condemned as ‘dangerous’ when applied to contemporary human rights laws. Are human rights palatable in a mature democracy only as long as they are contained in an ancient document that no longer has any direct legal impact? Are they useful only as a benchmark by which to judge the rest of the world, especially our enemies or rivals, but dangerous when applied to us? Join us for an enlightening discussion, in which Professors Klug and Gearty map the connections between the Magna Carta and Human Rights Act, explore the ethic behind universal human rights and deconstruct the current debate in the UK on the future of human rights protection. Francesca Klug is Professorial Research Fellow in the Centre for the Study of Human Rights. Conor Gearty (@conorgearty) is Professor of Human Rights Law at LSE and Director of LSE’s Institute of Public Affairs. The Centre for the Study of Human Rights at LSE (@LSEHumanRights) is a trans-disciplinary centre of excellence for international academic research, teaching and critical scholarship on human rights. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
